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    • FESTIVAL 2017
      • Invisible: WoFF 2017 Opening Film
      • Friday, September 29
        • Project Papa
        • Paris 5:59 (Theo & Hugo)
      • Saturday, September 30
        • Short Films
        • Short Film: Female Perspective
        • Short Films: Free Charity Event
      • Sunday, October 1
        • Women’s Tales: Panel discussion
        • Junod: Japanese Animation
        • Brexitannia (+ Damned Dolls: Short Film)
        • Closing Screening: Vergot
    • EuropeNow Festival 2017
      • July 12 Schedule
        • Short Films: Western Promises
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      • July 13 Schedule
        • Short Films: Antiphysis
        • The islands and the whales
      • July 14 Schedule
        • Four Passports
        • Sin + Illy Still Alive
      • Brexitannia to open EuropeNow Fest
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      • Opening Ceremony & Screening
      • Friday 30.09
        • Uncle Tony, Three Fools and the Secret Service + Immortalising memories
        • Shorts #1: Visions
        • Shorts #2: Connexions
        • Get Happy
        • Shorts #3: Journeys
      • Saturday 1.10
        • Tierra Caliente + The Land of Exodus
        • The Gift
        • Capsule
      • Sunday 2.10
        • ‘FREE EVENT’ Animation Screening: Short Films
        • Shorts #4: Brave
        • Sin & Illy Still Alive + Shorts Selection
        • Closing: Awards & Screening
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      • PROGRAMME
        • Opening Night
        • 2 October
          • Shorts Programme: Memory
          • Shorts Programme: The Hyperphysical
          • Short Films Programme: Laugh attack
          • The First Summer
          • Shorts Programme: Age of Oblivion
        • 3 October
          • Oblivion Season
          • Theatre: Life is Shrinking
          • Theatre: Losing Games
          • Shorts Programme: It’s rights o’clock
          • Camera/Woman & On the Edge: A tribute to Moroccan cinema
          • Shorts Programme: European Short Pitch
          • Silent Sea
        • 4 October
          • Animation Shorts Programme
          • Theatre: Life is Shrinking
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          • How To Stop A Wedding
          • Shorts Programme: Through The Art
          • Short Films Programme: Women of the world
      • JURY 2015
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      • Programme
        • Films
          • 4 AND 20 FIT GIRLS
          • AE FOND KISS
          • BEACH BOY
          • CHILDREN OF GOD
          • GLASGOW 1980
          • I HAVE YOUR HEART
          • I’M TALENTED
          • JACONELLI
          • LAMENT FOR THE GLASGOW HIGH RISE
          • LANGUAGE OF LOVE, THE
          • LUNCHBOX, THE
          • MOON MAN
          • NOTHING LIKE CHOCOLATE
          • RAIN
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        • Theatre, Performances & Workshops
          • BLOOM
          • A PICNIC WITH NATURE AND FILM
          • ECO-LOCATION
          • HAGAR AND THE ANGEL WORKSHOP
          • SCATTERED LIMBS
          • THE ATLAS OF TRANSFORMATION
          • PANEL DISCUSSION: Housing in Glasgow
          • INDIAN EXPERIENCE: KIRTAN
          • Complete Schedule
      • Nisimazine CFTF 2014
        • REVIEW: Sixteen
        • REVIEW: Beach Boy
        • INTERVIEW: Rob Brown (Director of ‘Sixteen’)
        • REVIEW: The Language of Love
        • IN FOCUS: Child Soldiers
        • REVIEW: Moon Man
        • REVIEW: I Have Your Heart
        • REVIEW: I’m Talented
        • REVIEW: Nothing Like Chocolate
        • INTERVIEW: Jetties
        • REVIEW: The Urban Farm
        • INTERVIEW: Onur Karaman (Director of ‘The Urban Farm’)
        • IN FOCUS: Housing in Glasgow
        • REVIEW: The Lunchbox
        • INTERVIEW: Ritesh Batra (Director of ‘The Lunchbox’)
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Shorts #1: Visions

Britannia Panopticon Theatre | Friday 30 September | 2 pm | TICKETS

Short Films in Competition: Visions | 112′ 

Stills in order listed below from up-left clockwise.

Stills in order listed below from up-left clockwise.



Open Mike by Tobias Erdmann | UK | 2015 | 16′ | Shorts Competition | Open Mike explores the life of Michael, an adult with autism who lives in solitude. He is shy aroundpeople and adheres to strict daily routines. His regular visits to the local pub are his only form ofcompanionship with the outside world. However, being in the wrong place at the wrong time soonsees Michael’s normal pattern of function disrupted.


 

The Fourth Kitchen by Leo Merkel | Germany | 2016 | 6′ | Shorts Competition | He loves her, but she doesn’t love him back. What’s not working must find an end. She tells him, but he doesn’t understand. Might that be the problem? That there’s just nothing to comprehend?


Waiting for the (T)rain by Simon Panay | France | 2015 | 25′ | Shorts Competition | A small village lost in a dusty desert in Burkina’s bush. Two times a week passes the train. Various food items and water bottles thrown by the passengers while passing by constitute the main income of the village, and the only source of water during dry season. Different portraits follow each others. The older one s have known slavery in the service of France, the young dream of distant horizons.


Copper Wire by Hasan Najmabadi | Iran | 2015 | 10′ | Shorts Competition | A child collects copper wire in order to sell them and rent a DVD.


Selfie by Ali Erfan Farhadi | Iran | 2015 | 2′ | Shorts Competition | An attempt to take an unusual selfie.


Wintry Spring by Mohamed Kamel | Egypt | 2015 | 15′ | Shorts Competition | Nour, is a schoolgirl who lives alone with her father, goes through a crisis when she suddenly becomes a woman and cannot tell her dad and her dad cannot understand this change that occurred in her life, which results in tension between them.


The good boy by A. L. Lee | US | 2015 | 15′ | Shorts Competition | A morality tale, “the good boy” is a film about a young boxer who accepts a challenge to fight a brute of a man only to discover his opponent has the mental capacity of a five year old. This is an unflinching look at what happens when you feel honor bound to doing something you know is morally wrong. “the good boy” is about the decisions we make and living with their consequences.


Backstage by Fouad Hallak | Syria | 2015 | 4′ | Shorts Competition | Backstage focuses on photographers and paramedics at the front lines. Most pictures and videos are of those fighting at the front lines. No one pays attention to those documenting these events and those relieving the wounded.


The Zahir by Olga Holtz | US | 2015 | 18′ | Shorts Competition: Female Perspective | In this tongue-in-cheek magic realist thriller, a young academic tries to unravel the mystery of a British explorer’s disappearance in 19th century India. His search results in encounters with a crazy physicist and an exotic female, which leads him to some other dimension.


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